The action moves to the dukedom, where discussions are being held about Turkey’s intent to invade Cyprus. A sailor interrupts the meeting to reveal that the Turkish fleet are directed towards Rhodes, also part of Venetian territory, however a senator declares this is a ruse as Cyprus is the more valuable island; a second interrupting messenger confirms this to be the case, revealing that the Turks have aligned with another fleet and now move towards Cyprus. The group comprising of Brabanzio, Othello, Iago, Cassio, Roderigo and their officers then enter, with Brabanzio demanding that his case be prioritized as his daughter was stolen from him by witchcraft, emphasizing his despair by declaring that his grief ‘engluts and swallows other sorrows, and is still itself’. The duke initially sympathizes with him but appears disbelieving of the story when Othello’s supposed part in it is revealed; Othello reveals he has married Desdemond but she grew infatuated with him of her own accord, when she heard of his life stories (such as the ‘Anthropophagi’) which Brabanzio asked him to tell him their family home, which caused her to fall in love when he retold them in full to her. The duke declares that his own daughter would fall in love with Othello if she had the same experience and Desdemona then enters, confirming that she is most obedient to Othello (the duke asks who she is most obedient to), much to her father’s surprise, ‘My noble father… You are the lord of my duty,/ I am hitherto your daughter. But here’s my husband’. After she declares that she willingly embraces the ‘violence’ of their love (an obvious foreshadowing of the turmoil to follow in Cyprus) and will now become loyal to her husband primarily, like her mother before her, Brabanzio accepts this and allows the meeting to return to the original focus.
The duke decides it best for Othello to travel to Cyprus and defend it from the imminent Turkish invasion, which Othello agrees to if his wife can accompany him, for their marriage has only just begun. While the duke is initially not agreeable, suggesting she stay with her father (which none of Desdemona, Othello or Brabanzio are agreeable to), he eventually concurs and declares she will stay with Iago until she can follow Othello to Cyprus. The meeting concludes and all depart except Iago and a downcast Roderigo, who now believes there is no hope for a relationship with Desdemona. Iago however mocks his desire to drown himself, telling him ‘Put but money in thy purse’ and to go to Cyprus, as he will take care of affairs there. Roderigo then departs, and the act concludes with Iago revealing through soliloquy that he hates Othello due to his belief that his commander slept with his wife Emilia and that he plans to steal Roderigo’s fortune, convince Othello that Cassio has slept with his wife and use his commander’s honest nature to bring about his downfall.
Deception: The attempt of the Turkish fleet symbolizes the widespread nature of deception in the world, and that it is not just confined to Iago. However, he still remains the most deceptive character, elaborating on his deception by revealing further parts of his plan to cheat people, such as stealing Roderigo’s money and causing the downfall of Cassio and Othello with the the lie of the former’s sexual relationship with Desdemona.
Honesty: It is highly significant that Iago is honest about his plan to Roderigo at the play’s beginning (and to us through soliloquy) as it indicates a heightened knowledge of the various events of the play. It is this awareness that thus allows him to manipulate and alter events so as to fabricate them in an advantageous way; no other character is as aware of proceedings and when Iago beings his alterations it will be impossible for others to recognize honesty and truth (which will allow his plan to progress), as no other has a comparative knowledge of the world and its current state.
Love: Du ring the discussion of Brabanzio’s case love is revealed to be affected by external variables. The senator suggests that Othello and Desdemona are not compatible due to their differing races, which indicates that nature is mistaken in their union. Desdemona has to come forward herself and declare allegiance to Othello for their marriage to be confirmed, while Othello reveals that his past played a part in the development of Desdemona’s love for him. This suggests that love is not independent but affected by the world of the play, which is confirmed when considering Iago’s meddling and Roderigo’s attempt to buy a relationship earlier in the act.
Order and chaos: The scene reveals that in Venice problematic situations, even of a personal nature, can be reconciled by the legal institutions of the city. However, the play is now departing to a new setting, where such forces are not present; this indicates that Iago’s force will only heighten as he moves to a place where he is not governed by law and order, and more significantly that others who are less composed than him (as shall be shown) are not either.
Othello: As suggested earlier, Othello does have high standing in society, indicated by his being recognized before Brabanzio the Ventian senator when the group enter the court; this plays a part in the duke’s view on the matter, who is notably pleased to be addressed by Othello. The revelation of how Desdemona’s love formed also serves to illustrate Othello’s belief in the importance of one possessing a life-story, in particular one that is captivating; he emphasizes that it is the manner of his story that led to her infatuation with him. Of note is that we see the first flaw of Othello’s character, his self-consumed state, as he is intent of building up public perception of himself. His limited language is intentional, but cannot disguise his intent to present himself as a heroic and remind all of his prowess as a warrior. This however will prove problematic; while Iago will prosper due to his awareness of all that is happening around him, Othello will be disadvantaged in that he is only focused on himself and thus will react especially badly to unfavorably events, as he believes such are a direct attack on his character.
Desdemona: Her first appearance confirms Othello’s declaration in the scene previous that she married him of her own free will. She is independent and any previous allusions to her as young and naïve due to repeated references to her as Brabanzio’s daughter are immediately dispelled. There is a potential drawback however, as she indicates she holds a similar self-consumed character, for she says she ‘saw Othello’s visage in his mind’ and ‘I saw him as he sees himself’, indicating that she is not that aware of what is going on around her.
Iago: Iago’s remark to Roderigo that ‘Our bodies are our gardens’ confirms what has been said previous, that he has an excellent knowledge of the world around him. This quote reveals that when one possesses a vice or beneficial character trait it will grow, and such realisation of the human state not only indicates his growing control of proceedings when the action moves to Cyprus, but also why he has already been able to control Roderigo. It may be seen that Iago, despite his flaws, is a a foil to Othello in that he is concerned with and aware of the world around him, which the titular character should be if he is to avoid falling prey to Iago’s machiavellian plan.
Othello Scene 3 Rhetorical AnalysisGet Your
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Hayden Dow Ms. Bourassa CP English 2 5 February 2011 Act 3 Scene 3 Rhetoric Iago throughout the story has been known as “Honest Iago. ” As you read the piece he is clearly not honest and speaks of his fiendish plans to ruin Othello’s relationship with Desdemona. In this act Iago’s plans really start coming together and are unfolding before him and he hardly has to say a thing. The main characters in this piece would include: Desdemona, Cassio, Othello, and Iago and each one of them has their own specific motivation in this scene.
Iago being the main focus in this scene all of the characters play a certain role. Desdemona after leaving her father to be with Othello and accompanying Othello on his voyage to Cyprus has had a similar motivation throughout the piece. Desdemona has wanted to prove that she is a good wife to Othello. By Act three Scene three Desdemona has noticed something is not quite right with Othello. However, she believes that it is just because of what is happening in Cyprus and because he has just been forced to fire his lieutenant for the time being.
Desdemona wants to make Othello happy again and she believes by him making Cassio his lieutenant again he won’t be as stressed. Othello approaches Desdemona several times hinting at the “affair ” he believes is going on like when he says “This hand is moist” meaning you are having an affair. During the time though words had many double meanings and moist also meant youthful. Essentially all of the things Othello says to Desdemona that hint at the supposed affair are just things that she is taking as compliments. Cassio does not make up very much of this scene but causes a lot of conflict between the other characters in it.
Earlier in the Cassio had lost his job due to striking Montano, who is a gentleman of Cyprus. After Othello fires him Cassio is a mess and is at a desperate stage where his motivation is to get his job back. Iago sees this as an opportunity to get Othello to believe Desdemona is cheating on him with Cassio. Iago convinces Cassio to go and talk to Desdemona to see if he can get his job back when Iago says that “Our general’s wife is now the general” meaning that Desdemona has a lot of influence over Othello’s decisions.
He goes to see her and out of the goodness of her heart and her will to please Othello she agrees to try and convince him to give Cassio his job back. At the beginning of the scene it just has Desdemona and Cassio alone together discussing about getting Cassio’s job back. Desdemona is just reassuring Cassio that she will do her best to convince him when she says “Be thou assur’d, good Cassio, I will do All my abilities in thy behalf. ” Cassio however is still very worried that Othello will just forget about him and he will never get his job.
Othello in the beginning of the scene and all the other scenes has been very confident in his relationship, thinking everything is going great (which in reality it is). Iago at the start of the scene uses a small bit of rhetoric to quickly get Othello’s attention when he says “Ha! I like not that. ” This gets Othello’s attention because he wasn’t sure what Iago says and wants him to repeat himself. Othello asks if Cassio had just been speaking privately with his wife and Iago says no, that he wouldn’t believe that Cassio would be trying to steal his wife (which is the truth).
Othello is then convinced he saw Cassio and Desdemona speaking together. Othello’s motivation at this point is to find out what is going on between Cassio and Desdemona. Othello goes to speak with Desdemona and she says that yes, she was speaking with Cassio but it was about how Othello should make peace with him and give him back his job. Othello believes her and loses all suspicion of her and says “Excellent wretch! Perdition capture my soul but I do love thee; and when I love thee not, chaos is come again. This is Othello expressing his truly passionate feelings towards Desdemona. Iago then starts questioning Othello about Cassio saying how he didn’t know Cassio and Desdemona were acquainted. Othello then begins to question whether Cassio is an honest man and Iago will not give him and answer, rather he begins mimicking him to anger him. As Iago and Othello and talking one theory is that Othello feels insecure about his appearance compared to Cassio and this creates a lot of the jealousy he feels.
Iago says that it wouldn’t be hard to believe that Cassio and Desdemona were having an affair, especially when they are always together. As Othello grows angrier Iago becomes a little blunter when he says “who certain of his fate” which means that he is sure his wife is cheating on him. At this point Othello is furious at his wife and the “green-eyed monster” symbolizing jealousy is brought up a few times. Othello is so angry he even threatens to kill Iago if what he says is untrue. Iago then tries to convince Othello that he is blind with love and he cannot see what is happening before his eyes.
Iago has fully convinced Othello that Desdemona has been cheating on him. Iago has been the brilliant mastermind behind all of the conflict that occurs in this scene (and all the others for that matter). He uses fantastic rhetoric to persuade characters to bend and twist to his whim. Iago is essentially trying to ruin Othello’s relationship and he is doing that by trying to anger Othello so much so that he is at the point where he wants to kill Desdemona. His first piece of rhetoric is at the beginning of the scene when Iago and Othello are speaking.
He brings Othello to see Desdemona and Cassio together (Othello not knowing that this is Iago’s objective). Othello sees them together and is a little curious at first but denies that Desdemona or Cassio would ever betray him like that. This is good rhetoric because really this bothers Othello that Desdemona and Cassio are always talking, possibly because of his own insecurities. Another piece of rhetoric Iago uses is the handkerchief. The handkerchief is something Othello gave to Desdemona when they were first married.
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This handkerchief has great importance to Othello and he says how it was his grandmothers and it was “magical”. Desdemona however drops it and it is picked up by Emilia but Iago takes it from her saying “why, what’s that to you? ” Emilia does not know what Iago’s intentions are so she does not put up much of a fight about it. Iago intends to use this handkerchief against Cassio by telling Othello that Desdemona had given to him. This infuriates Othello even more and Othello commands Iago to kill Cassio.
Author: Brandon Johnson
Othello Scene 3 Rhetorical Analysis
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